Feb 28, 2011

Justin Bieber y Selena Gómez JUNTOS en los Oscars

Muchos éramos los que esperabámos con ansia la gala de los Oscars , no sólo por quien resultaba ser el gran ganador de la noche , sino para ver los vestidos y por supuesto , para ver las parejas que gracias a esta gala , confirmaban que eran pareja.

Este fue el caso de Selena Gómez y Justin Bieber que impecables , confirmaron de una vez por todas los rumores que les apuntaban como pareja . La pareja disfrutó de la compañía de algunos de sus amigos entre los que se encontraban la cantante de country , Taylor Swift.




READ MORE - Justin Bieber y Selena Gómez JUNTOS en los Oscars

Justin Bieber y Selena Gómez JUNTOS en los Oscars

Muchos éramos los que esperabámos con ansia la gala de los Oscars , no sólo por quien resultaba ser el gran ganador de la noche , sino para ver los vestidos y por supuesto , para ver las parejas que gracias a esta gala , confirmaban que eran pareja.

Este fue el caso de Selena Gómez y Justin Bieber que impecables , confirmaron de una vez por todas los rumores que les apuntaban como pareja . La pareja disfrutó de la compañía de algunos de sus amigos entre los que se encontraban la cantante de country , Taylor Swift.




READ MORE - Justin Bieber y Selena Gómez JUNTOS en los Oscars

TV Ratings: 'Friday Night Dinner', Channel 4


Great news for Channel 4, who scored a weekend hit with their new sitcom Friday Night Dinner. The comedy, about two twentysomething brothers who have a meal with their parents every Friday, attracted 2.2 million viewers on Friday night at 10pm. That's the best debut for a new comedy since Max & Paddy's Road To Nowhere in 2004. Let's see how many tune in for episode 2 this week...
READ MORE - TV Ratings: 'Friday Night Dinner', Channel 4

'OUTCASTS' 1.6


It's tough reviewing Outcasts. It has such a dreadful reputation (now dumped to Sunday nights in the wake of dismal Monday/Tuesday ratings), but I do see positive flashes. The problem is that everything good about Outcasts is undone by the indolent pacing and wishy-washy characters, that suck the life out of everything. I'm interested in a fair few story elements (particularly the presence of an alien intelligence on Carpathia), but the means to explore that is the characters I feel no affinity for. It's a TV show where reading a recap may be equally as entertaining, or perhaps preferable because it wouldn't take a solid hour.

Episode 6 was actually pretty good, by and large. It began with the two-day disappearance of three XP's (Hunter, Johnson and Docherty), whom we later learn were sent on a black ops mission to assassinate the AC's leader Rudi by Jack (Ashley Walters) and Berger (Eric Mabius), who's evidently intolerant of the threat posed by those genetically-engineered pariahs. The mystery thickened with the surprise return of Josie Hunter (Juliet Aubrey, reprising her role as Helen Cutter on Primeval) to Forthaven, claiming to have survived an AC attack. Josie was swiftly reunited with her three children, who quickly began to sense that their mother has "changed". Indeed, the audience were several steps ahead of writer David Farr in forming the hypothesis that Josie isn't the real Josie, but another example of the corporeal "hallucinations" Tate (Liam Cunningham) has been seeing of his dead children.

There was undoubted fun and anxiety whenever fake-Josie was on-screen, with Aubrey doing a great job as the off-kilter version of the mother her kids know and love. A moment when Tate spied on Josie, seeing her make random expressions and arm gestures, as if practicing human interaction, was genuinely unsettling. However, everyone's reaction to the fact an alien changeling has sneaked into Forthaven was disappointingly flat: Tate barely reacted, Stella (Hermione Norris) feels more detached than Josie at times, and Cass (Daniel Mays) just went with the flow. Part of the fun when you include aliens is seeing how people react to their presence, as the audience at home want to vicariously experience the thrill and fear, but Outcasts did a poor job in that respect.

The simultaneous drama with the pregnant wife of a missing XP, having to give birth without her husband, was of mixed success. It was another example of the show asking us to care about a character we haven't met previously (or if we have, I've forgotten), and the dilemma at the heart of the situation was a very old one (the baby survives and the mother dies, or vice versa). You'd be inhuman if you didn't care to some extent, but I wish this character had been someone we had a connection with.

One thing I want to praise is the marvelous direction by Andy Goddard, who gave this episode a notable boost visually. The scenery has always been beautiful, but it was particularly awesome here (a vista shot with a distress flare arching into the sky was gorgeous), there were some fantastic scene transitions (my favourite being one where Tate seemed to melt into the shadow of the next scene's corridor), and the tilting action shot of Stella running down a corridor was movie-quality stuff. The AC's were also far more threatening as a silent stealth force, burrowing into Forthaven to cause a blackout.

There's not much more to say about Episode 6, which was pretty basic in term of storytelling. I'm glad an alien presence on Carpathia is now confirmed, but slightly worried it's wandering into clichéd territory of the aliens being fascinated by the human concept of love. I'm also unconvinced by Tate's speculation that these aliens caused the genocide of the hominids that used to live on Carpathia, and have similar plans for them. I'm sticking to my theory the hominids WERE the aliens, in a less-evolved form.

Overall, we only have two episodes left of Outcasts, with little possibility of a second series. It seems to be building towards Berger and Jack mounting a coup d'état, with Stella forced to choose between the two ideologies they represent, the arrival of a CT10 transport full of people who appear to be on Berger's side, not to mention the wider issue of the vengeful AC's and the ambiguous nature of the aliens. That sounds like it might be a heady concoction, so fingers crossed Outcasts at least ends on a high note. It's a shame the first three episodes were so tedious and the characters just haven't been very strong, as the core ideas behind this show are decent -- if derivative of other TV shows, films, and novels that tackled the same broad subject-matter with greater skill.

Asides

  • I see from this episode that Forthaven has a prayer room. I was under the impression religion was frowned upon in this show's future, hence the friction between secular Tate and spiritual Berger, but clearly I was wrong.
  • Not that I want to see more of them, but the lack of Stella's daughter Lily and genius/DJ Tipper in recent weeks hasn't gone unnoticed. Hopefully, if they're still of relevance, they'll figure into the remaining two episodes more.
  • Why did the AC's have to burrow into Forthaven? As last week proved with Pak, you can simply walk through the gates and grab yourself a drink at the local bar.
  • Juliet Aubrey didn't bring her impressive cleavage over from Primeval, more's the pity, but her character really could have just wandered over from that show.
written by David Farr / directed by Andy Goddard / 27 February 2011 / BBC One/HD
READ MORE - 'OUTCASTS' 1.6

Oscars 2011: The Results


The 83rd annual Academy Awards were held last night at the Kodak Theatre in Hollywood, California. Did you watch? I'll try and catch the highlights, mainly to see the various sketches that hosts James Franco and Anne Hathaway did. As for the winners: The King's Speech was the big hit with four awards (Best Picture, Best Actor, Best Director, Best Screenplay), and I was pleased to see Natalie Portman win Best Actress for Black Swan. It boggles my mind that Tom Hooper can win Best Director over David Fincher or Darren Aronofsky for The King's Speech, though. And Christian Bale got Best Supporting Actor, proving Tropic Thunder wrong. You really can go "full retard" and be a success.

The full results are below. What did you make of the evening?

BEST PICTURE

  • 127 Hours
  • Black Swan
  • The Fighter
  • Inception
  • Toy Story 3
  • The Kids Are All Right
  • The King's Speech WINNER
  • The Social Network
  • True Grit
  • Winter's Bone

BEST ACTOR

  • Javier Bardem - Biutiful
  • Jeff Bridges - True Grit
  • Colin Firth - The King's Speech WINNER
  • Jesse Eisenberg - The Social Network
  • James Franco - 127 Hours

BEST ACTRESS

  • Michelle Williams - Blue Valentine
  • Natalie Portman - Black Swan WINNER
  • Annette Bening - The Kids Are All Right
  • Jennifer Lawrence - Winter's Bone
  • Nicole Kidman - Rabbit Hole

BEST SUPPORTING ACTOR

  • Christian Bale - The Fighter WINNER
  • John Hawkes - Winter's Bone
  • Jeremy Renner - The Town
  • Mark Ruffalo - The Kids Are All Right
  • Geoffrey Rush - The King's Speech

BEST SUPPORTING ACTRESS

  • Melissa Leo - The Fighter WINNER
  • Amy Adams - The Fighter
  • Helena Bonham Carter - The King's Speech
  • Hailee Steinfeld - True Grit
  • Jacki Weaver - Animal Kingdom

BEST DIRECTOR

  • Darren Aronofsky - Black Swan
  • Joel &Ethan Coen - True Grit
  • David O Russell - The Fighter
  • David Fincher - The Social Network
  • Tom Hooper - The King's Speech WINNER

BEST ANIMATED FILM

  • Toy Story 3 WINNER
  • How To Train Your Dragon
  • The Illusionist

BEST SCREENPLAY WRITTEN DIRECTLY FOR THE SCREEN

  • Another Year
  • Inception
  • The Kids Are All Right
  • The Fighter
  • The King's Speech WINNER

BEST SCREENPLAY BASED ON MATERIAL PREVIOUSLY PUBLISHED

  • 127 Hours
  • The Social Network WINNER
  • Toy Story 3
  • True Grit
  • Winter's Bone

BEST FOREIGN FILM

  • Biutiful (Mexico)
  • In A Better World (Denmark) WINNER
  • Outside The Law (Algeria)
  • Incendies (Canada)
  • Dogtooth (Greece)

BEST ART DIRECTION

  • Alice In Wonderland WINNER
  • Harry Potter And The Deathly Hallows: Part 1
  • Inception
  • The King's Speech
  • True Grit

BEST CINEMATOGRAPHY

  • Black Swan
  • Inception WINNER
  • The King's Speech
  • The Social Network
  • True Grit

BEST COSTUME DESIGN

  • Alice In Wonderland WINNER
  • I Am Love
  • The King's Speech
  • The Tempest
  • True Grit

BEST DOCUMENTARY FEATURE

  • Exit Through The Gift Shop
  • Gasland
  • Inside Job WINNER
  • Restrepo
  • Wasteland

BEST DOCUMENTARY SHORT

  • Killing In The Name
  • Poster Girl
  • Strangers No More WINNER
  • Sun Come Up
  • The Warriors Of Qiugang

BEST EDITING

  • Black Swan
  • The Fighter
  • The King's Speech
  • 127 Hours
  • The Social Network WINNER

BEST MAKEUP

  • Barney's Version
  • The Way Back
  • The Wolfman WINNER

BEST ORIGINAL SCORE

  • How To Train Your Dragon
  • Inception
  • The King's Speech
  • 127 Hours
  • The Social Network WINNER

BEST ORIGINAL SONG

  • 'Coming Home' (Country Strong)
  • 'I See The Light' (Tangled)
  • 'If I Rise' (127 Hours)
  • 'We Belong Together' (Toy Story 3) WINNER

BEST SOUND EDITING

  • Inception WINNER
  • Toy Story 3
  • Tron: Legacy
  • True Grit
  • Unstoppable

BEST SOUND MIXING

  • Inception WINNER
  • Salt
  • The King's Speech
  • The Social Network
  • True Grit

BEST VISUAL EFFECTS

  • Alice In Wonderland
  • Harry Potter And The Deathly Hallows: Part 1
  • Hereafter
  • Inception WINNER
  • Iron Man 2

BEST ANIMATED SHORT

  • Day & Night
  • The Gruffalo
  • Let's Pollute
  • The Lost Thing WINNER
  • Madagascar, A Journey Diary

BEST LIVE ACTION SHORT

  • The Confession
  • The Crush
  • God Of Love WINNER
  • Na Wewe
  • Wish 143
READ MORE - Oscars 2011: The Results

'BEING HUMAN' 3.6 - "Daddy Ghoul"


A mixed bag this week, with another guest-star focused storyline, this time balanced with pertinent events back at the B&B. The latter was definitely the most engaging aspect of "Daddy Ghoul", although the former was decent filler because George's father was a more relevant character than vampire Adam and zombie Sasha from earlier this series.

After the cataclysmic events of "The Longest Day" there was a feeling of deflation with this episode, as the atmosphere returned to relative normality. Nina (Sinead Keenan) was still wary of Mitchell (Aidan Turner) now she thinks he's a sicko who keeps a scrapbook of death under the attic floorboards, but primarily she looked to be regretting ever having called the police with an anonymous tipoff about the Box Tunnel 20 massacre. The long arm of the law arrives in the form of DC Nancy Reid (Erin Richards), a beautiful blonde who attracted the furtive attention of Herrick (Jason Watkins) with her cut knee, as the amnesiac vampire is starting to suffer withdrawals. I guess I can accept that Nina has started to have second thoughts about bringing the police into the situation (if only because it may expose vampires to the world if they arrest Mitchell and interrogate him), but it still felt strange that headstrong Nina's shock and revulsion was diluted so quickly.

Elsewhere, it was frankly bizarre to see Annie (Lenora Crichlow) and Mitchell back on good terms, after their horrendous bust-up. You would hardly know a bad word was said between them from how they interacted here, which is perhaps a problem stemming from how UK dramas aren't written in teams. Did writer Lisa McGee get to read last week's script, or was she just briefed about the current state of things and someone forgot to mention Mitchell and Annie's explosive argument? Either way, creator Toby Whithouse could have smoothed the transition by rewriting dialogue to better reflect the repercussions of episode 5.

There was also some confusing series continuity, as a cold open flashback to Paris 1933 gave us a True Blood-esque scene between Herrick and Mitchell in an ornate hotel room containing a dead body and glasses full of siphoned blood. It was here that the debonair Herrick revealed to Mitchell that a vampire inherits the memories of their maker. An interesting piece of vampire lore, but we've seen Mitchell create progenies before now and I never got the impression they had inherited all his memories. To me, this felt like a retroactive way of explaining how Cara knew how to resurrect her maker Herrick. But did you ever get the impression dimwitted Cara had all of Herrick's memories and knowledge? Also, Mitchell himself was turned by Herrick during WWI, so if he was given all of Herrick's memories after becoming a vampire, why did he need to be told any of this? I'll leave that to the super-fans to debate or explain.

The situation at the B&B was suitably tense once Reid started sniffing around, especially when Annie turned Hopkirk to Reid's Randall and helped solve the mystery after realizing Lia (the girl she saw in purgatory) was one of the Box Tunnel 20. There was also some fantastically creepy sequences with Herrick throughout this hour, which are giving Watkins the best material he's had to work with that plays to his strengths. Here, he cut a peephole in the attic floor so he could salivate over Reid's fresh knee wound, before retrieving her bloodied bandages from a bin and sucking on them. But the pinnacle of the episode, for me, was the moment when "Uncle Billy" made himself known to Reid in the bathroom, and Herrick fought against his instinct to tighten his jaws around the policewoman's neck. Having him manage to pull himself back from the brink was unexpected, as was having him give Reid the incriminating scrapbook as evidence. Mitchell may have saved his skin by ensuring Reid didn't leave manage to steal his property without a warrant, later burning it in the garden, but there's no way Reid's going to let this matter lie. As a relative underling at CID, she knows solving this case will make her career.

The majority of the episode was spent elsewhere, after George discovered that his father, George Sands Snr (James Fleet), had died, and decided to attend his funeral. This was the first time we've seen anything of George's family, whom he ran away from after being turned into a werewolf (a decision that's never felt plausible to me), and the storyline here was engaging in the moment. I really liked how George caught his nervous dad's ghost watching how own funeral, and the two decided to reconnect in a nearby caravan, while trying to determine what George Snr needs to do in order to "crossover" to the other side. A kind of posthumous Bucket List that involved them watching Titanic.

I've always found James Fleet irritating, mainly because he plays the same fidgety, upper-middle class milquetoast role in everything he does, but that shtick was used well here. You could buy into George Snr as a spineless tool who let his marriage collapse when his wife Ruth (Marion Bailey) had an affair with bullying former PE teacher Marcus (Danny Webb) during salsa classes, and in death had to man up to win her back. Only, he wasn't really dead. In a beautiful subversion of the spectral cliché popularized by The Sixth Sense, George discovered that his dad unwittingly faked his own death when his shed burned down, toasting an unfortunate vagrant, and just decided to go with the flow when everyone assumed he'd died.

A marvelous idea, although the actual epiphany (with George catching his dad eating) was oddly flat - maybe because the rules about ghosts aren't so fixed in your head. George may have mentioned that ghosts can't eat, to help us out when the reveal came, but it still didn’t quite connect. It would have been better if George Snr was caught catching something thrown at him -- as new ghosts don't have that ability, right?

There was also a great moment when George summoned the courage to tell his parents he's a werewolf, which they didn't believe, but unburdening himself was enough. The moment was played like a "coming out" scene for a gay man (is that the core werewolf analogy in Being Human) which worked very well, and I had to wonder if George Snr spent this whole episode thinking George and Nina's "condition" is that they're both HIV positive.

Overall, I definitely rate this episode as an entertaining hour that ultimately served a purpose, even if the entire storyline with George's parents was just something to pass the time. I hope we'll see more of the Sands, despite the fact George now has less reason to be so tormented about his past. "Daddy Ghoul" was one of those episodes where the A-story was less compelling than the subplots, as everything going on at the B&B was effortlessly more exciting because it has more back-story and relevance to series 3's ongoing narrative. There were some frustrating slips and, for me, moments that didn’t quite make sense, but the situation with Mitchell and Herrick appears to be reaching a crescendo I'm keen to see.

Asides

  • I didn't find Annie quoting Cheryl Cole lyrics to George in the kitchen very funny, mainly because the words to "Fight For This Love" have nothing to do with grieving a loved-one.
  • There was a clear reference to The Shawshank Redemption with George and Nina's alibi about escaping from a cult by digging a tunnel hidden by a Raquel Welch poster, but was Herrick's attic peephole a nod to Shallow Grave?
  • "I'm not very good with death", says Annie the ghost.
  • "Daddy Ghoul" didn't really broach how death should mean something very different to Being Human's characters. They have empirical proof that there is an afterlife, so I thought the episode could have mentioned this when George read his dad's obituary. It would definitely change the way in which you mourn someone's passing, wouldn't it?
  • So, uh, you don't want to tell your parents you're going to be a father yet, George? Again, did writer Lisa McGee know this was a storyline in-play?
written by Lisa McGee / directed by Philip John / 27 February 2011 / BBC Three/HD
READ MORE - 'BEING HUMAN' 3.6 - "Daddy Ghoul"

TV Picks: 28 February – 6 March 2011 ('A League Of Their Own', 'Glory Daze', 'Jamie's Dream School', 'Love Thy Neighbour', 'Wonders Of The Universe', etc.)

'Wonders Of The Universe' - BBC2/HD, Sunday, 9PM

Every Monday I browse the UK television schedules for the coming week, selecting each day's best new TV shows. Below you'll find the result of that work...

MONDAY 28th
How To Live With Women (BBC3, 9pm) A group of lazy boyfriends are educated in basic domesticity, to please their girlfriends. (1/4)
The Story Of Variety with Michael Grade (BBC4, 9pm) Michael Grade presents a guide to variety performances, featuring interviews with Bruce Forsyth, Ken Dodd, Roy Hudd, Barry Cryer, and many more. (1/2)
Great British Hairdresser (E4, 10pm) Reality series where celebrity hairdresser James Brown, model Abbey Clancy and Glamour magazine editor Jo Elvin search for the UK's top stylist. (1/10)

TUESDAY 1st
Horizon: Are We Still Evolving? (BBC2, 9pm) Alice Roberts investigates the theory that mankind's advances in technology mean we've broken free of natural evolution.
The Listener (FX, 9pm) Season 2 of the US crime drama.
Neighbourhood Watched (BBC1, 10.35pm) Series 2 of the show that follows a group of housing officers and their dealings with various tenants. (1/4)

WEDNESDAY 2nd
Jamie's Dream School (Channel 4, 9pm) Jamie Oliver recruits celebrity experts to become teachers of a school and convince 20 slacker students to give education a chance. Featuring Robert Winston, David Starkey, Rolf Harris, Alastair Campbell, Dominic West, Simon Callow, Jazzie B & Daley Thompson. (1/7)
OMG! With Peaches Geldof (ITV2, 9pm) Peaches Geldof is joined by Radio 1's Aled Haydn Jones and therapist Emma Kenny for a lighthearted mix of chat and advice. (1/6)

THURSDAY 3rd
Hardliners (Dave, 8pm) Series following the adventures of Australian anglers.
Comic Relief: Famous, Rich & In The Slums (BBC1, 9pm) A group of celebrities spend a week in a Kenyan slum. Stars Lenny Henry, Samantha Womack, Reggie Yates & Angela Rippon. (1/2)
Love Thy Neighbour (Channel 4, 9pm) 12 families compete to win a dream life in the countryside, with the villagers of their potential new residence having the final say. (1/8)
Working Girls (BBC3, 9pm) Lazy women are partnered with businesswomen for 8 days, in an effort to inspire them to greater things. (1/4)
Glory Daze (E4, 9pm) Drama about four university freshman in the '80s. Stars Joel Harrington, Eli Feldman, Brian Sommers & Jason Wilson. (1/10)

FRIDAY 4th
A League Of Their Own (Sky1, 9.30pm) Series 3 of the sports comedy panel show. Hosted by James Corden, with team captains Freddie Flintoff & Jamie Redknapp, regulars John Bishop & Georgie Thompson, and guests Jimmy Carr & Phil Taylor. (1/9)

SATURDAY 5th
Nothing.

SUNDAY 6th
Civilization: Is The West History? (Channel 4, 8pm) Historian Niall Ferguson ponders the idea that the West's global dominance is reaching an end, by first charting its rise. (1/6)
Wonders Of The Universe (BBC2, 9pm) Documentary series where Professor Brian Cox guides us through some of the most spectacular sights of the universe. (1/4)
Country House Rescue (Channel 4, 9pm) Series about the renovation of various buildings. (1/13)
READ MORE - TV Picks: 28 February – 6 March 2011 ('A League Of Their Own', 'Glory Daze', 'Jamie's Dream School', 'Love Thy Neighbour', 'Wonders Of The Universe', etc.)

John Estrada - Priscilla Meirelles Wedding Pictures at La Union

Finally, the much awaited wedding of two of the most beautiful faces in Philippine showbiz happened. John Estrada and Priscilla Meirelles beach wedding was held at Thunderbird Resort in La Union on February 26, 2011. Some of the pictures were posted below.

Ten years of age gap, TV host - John Estrada was 37 while the Brazilian model, Priscilla was 27. However, when they vowed and promised that they will be together for better or for worst, age didn't matter anymore.

The wedding was attended by celebrities from different television networks and movie industries. Mother Lily Monteverde of Regal Films, Ben Chan, the owner of Bench, Vicky Belo, the renowned celebrity doctor and Cory Vidanes of ABS-CBN were the principal sponsors.

Lorna Tolentino, Kris Aquino, AiAi delas Alas, Richard Gomez, Sam Milby, Vina Morales, Ogie Alcasid, Vina Morales, Hayden Kho, Johnny Manahan and Gabby Concepcion were among the celebrities who supported the couple in their most important day.

According to "The Buzz", The John Estrada-Priscilla Meirelles wedding will be aired on the second week of March.

John and Priscilla Wedding Photos





Photo courtesy of "photo my lens" blog
READ MORE - John Estrada - Priscilla Meirelles Wedding Pictures at La Union

Noah Cyrus con nuevo look

La hermana menor de Miley Cyrus, Noah Cyrus a sorprendido a sus seguidores en twitter con su nuevo look. Nuevo corte de cabello, brackets y al pareser nuevo color de cabello.

Que tal, te gusta el nuevo look de la pequeña Cyrus?
READ MORE - Noah Cyrus con nuevo look

Noah Cyrus con nuevo look

La hermana menor de Miley Cyrus, Noah Cyrus a sorprendido a sus seguidores en twitter con su nuevo look. Nuevo corte de cabello, brackets y al pareser nuevo color de cabello.

Que tal, te gusta el nuevo look de la pequeña Cyrus?
READ MORE - Noah Cyrus con nuevo look

Brad pitt: con regalo de Angelina Jolie

Ayer sábado se pudo observar a Brad Pitt con no solo un gran estado de animo sino también mostró el collar personalizado que amada Angelina Jolie recientemente le dio.

Jolie encargo el coyar de una cede en Londres de un joyero llamado Robert Procop.
Se sabe que el coyar trae un mensaje secreto grabado.

Procop, quien se encuentra trabajando en una línea de joyería con Jolie, dijo: "Yo no puedo decir lo que dice, y se necesita un microscopio para leerlo."
READ MORE - Brad pitt: con regalo de Angelina Jolie

Brad pitt: con regalo de Angelina Jolie

Ayer sábado se pudo observar a Brad Pitt con no solo un gran estado de animo sino también mostró el collar personalizado que amada Angelina Jolie recientemente le dio.

Jolie encargo el coyar de una cede en Londres de un joyero llamado Robert Procop.
Se sabe que el coyar trae un mensaje secreto grabado.

Procop, quien se encuentra trabajando en una línea de joyería con Jolie, dijo: "Yo no puedo decir lo que dice, y se necesita un microscopio para leerlo."
READ MORE - Brad pitt: con regalo de Angelina Jolie

Lindsay Lohan Sus Mejores Años





















































































































































































































































































































































































































































































































































































































































































































































































































































READ MORE - Lindsay Lohan Sus Mejores Años

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